An Idiot Adada

Adada's poor husband suddenly strikes it rich. He changes his hovel for a beautiful home, but his character changes as well. He becomes overly proud and shows off his wealth. Adada, despising the money and what it has done to her husband, throws their savings into the river

Stroller

An old member of Namsadang (a wayfaring group of Joseon Dynasty (1392-1910)) leaves his daughter Gye-yeon at a tavern of Hwagye Market, a traditional market located in Gurye, Jeollanam-do. Son of the tavern owner Seong-gi and Gye-yeon love each other, but the madam owner tries to separate them by sending Seon-gi to a temple. The old man comes back to take Gye-yeon and disclose a secret that the tavern owner is in fact his daughter, therefore Seong-gi is his grand son. Frustrated to hear that he cannot love Gye-yeon, Seong-gi goes for a long journey without destination as his ancestors of Namsadang have done.

The Extra Mortals

In a hospital waiting room, a group of men arrive and meet one another. Choe, is the upbeat fellow who always thinks of the nation and its people. Cheon was wounded in the war and has fallen into despair. Then there's the dentist, run ragged by his hectic life. They commiserate over each man's lot in life and exchange stories about their love affairs.

Jons und Erdme

Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.

Undercover küsst man nicht

The Natural Son

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

For Love Alone

Teresa is a spirited young girl chafing under the oppressive attitudes of 1930s society, and her father in particular. She fancies her poverty-stricken Latin tutor Johnathan Crow, without realising he merely considers her a pleasant diversion and nothing more, and eventually follows him from Sydney to London. En route she meets the gentle banker James Quick. Whilst navigating her relationships in London, including with a political poet bound for the Spanish Civil War, she experiences a transformation in her understanding of love. Based upon Christina Stead's best-selling Australian novel.

Machita

A female spy goes to Budapest to steal the plans of an anti-aircraft gun.

Daisy Miller

Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.

The Dream

Starring Jeremy Irons in a one-man drama, adapted from a Dostoevsky short story by Murray Watts. In his dream, the Man visits an unspoilt Garden of Eden.

Entropic

The most beautiful man in the world, who, sick of being objectified, devises a plan to free himself of other's attention.

A Mighty Nice Man

Patricia Highsmith's haunting story of a day in a young girl's life when a kind stranger comes to town.

Mama, I Need You!

After finishing the course of junior high school, Kazuo comes up to Tokyo, leaving his mother alone in the unproductive northern district. He finds a job in a small laundry in downtown Tokyo and works hard till late at night. At a nearby restaurant a brother and sister are working, and Kazuo becomes friendly with the girl, Yoneko. Love blossoms between the two. However, Yoneko's brother objects to his sister marrying Kazuo.

Miss Agent

Bassong, the leader of Southeast Asia's largest human trafficking organization, hosted a banquet in his private club to host the leaders of criminal organizations around the world. Yunzhi, Ruxin, Ruyi and the heroine Yamei successfully sneaked into the club to perform tasks. Yamei's target was the boss Basong, but due to an accident, she could only switch with Yunzhi. In the process of carrying out the mission, Yunzhi was almost unpredictable, but fortunately Yamei arrived in time. The criminal organization alarm sounded. In the melee, Yamei rescued Yunzhi. In order to cover the departure of her companion, Yamei detonated the bomb and disappeared into the flames.

The Phantom of the Opera

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Family

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.